Stepping into the Chris Antemann  x Meissen Forbidden Fruit collaboration at the Crocker Art Museum was like breathing the bright air of two different time periods.

To me, Antemann's work is a powerful reimagining of and reintroduction to 18th century symbols, techniques and media through the point of view of an empowered 21st century female artist. I was inspired by that bold juxtaposition.

It's funny how art created within the vernacular of another time period can make a viewer feel that, although the piece was made within present day, they are looking at a portion of history. Is that an intentional deception or part of the magic? It feels like Antemann's work exists both in the 18th and 21st century- but of course it doesn't.

I'm fascinated with the idea of repurposing the medium and culture of a different time period as the vehicle of more modern ideas and whimsy. I know technically there are many mediums that we don't immediately think of as antiquated but are indeed very old. For example, oil paints are still used so often in art, I don't think of antiquated times immediately when seeing it's use.  In Antemann's work, the use of porcelain and Rococo visual cues have made a palpable and unique bridge across the centuries. Just looking at her work for a few minutes, I'm aware of their history as well as their modernity: Antemann's infused commentary on sensuality, cultural interpretations of the Garden of Eden and social rank. I find it exciting!

I wonder how people from the 18th century would view this artwork. 

The Forbidden Fruit collection will be at the Crocker Art Museum through June 25th.